An Actor's Perspective - July 5, 2012
By Marc Kudisch
“Tartuffe” in Tartuffe
We’re into our second week of rehearsal, and already rhyming
couplets are floating thru my sleep, assuaging my dreams no matter how deep.
Get the picture here?
It's tough work...good work though; mind challenging to keep
so many subtle emotional changes capped in the rhythm of the speech. I am a
notorious paraphraser when in the process; I need to connect to the logic of
the words before the actual words will stick in my mid-life brain. And I'm used
to working on new material, a script that has yet to solidify; so usually this
gives me enough room to be able to rationalize my process. Not this time…and
not that Moliere, and Richard Wilbur's great English adaptation, need any help
from me.
Tartuffe…such
a great play…so many possible directions to take each character. And thanks to the ever present dysfunction of
our human condition, a play that can constantly be revitalized with every new
production. And let's mention why in this particular case: David Kennedy, our perceptive director (and Canadian!); the talents
of the great Patricia Conolly and Mark Nelson (always been big fans of
both), the vibrant talent of Nadia
Bowers (such a nice person to have naughty scenes with); and an incredibly
talented and PASSIONATE cast with great commitment all: Tyrone Mitchell Henderson (elegant), Jeanine Serralles (saucy), Charise
Castro Smith (suprisingly formidable), Justin
Adams (he kills me), Matthew
Amendt (best smile ever), Jeremy
Lawrence (of the twinkling eyes), Chrissy
Albanese (adorable, trust me, this word rings true for her) and William Peden (dude, I put my trust in
you). Now, if Kudisch can just learn his damn lines.............
Labels: David Kennedy, farce, Marc Kudisch, Mark Lamos, Moliere, Plays, Tartuffe, Theater, Theatre, Westport, Westport Country Playhouse



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